On being Angry

Frantz Fanon wrote, in ๐˜›๐˜ฉ๐˜ฆ ๐˜ž๐˜ณ๐˜ฆ๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ, that the colonised do not only resist the coloniser externally; they carry the coloniser ๐—ถ๐—ป๐˜€๐—ถ๐—ฑ๐—ฒ. The oppressed absorb the frameworks of their oppression.

On being Angry

๐—ง๐—ต๐—ฒ ๐—˜๐˜๐—ต๐—ถ๐—ฐ๐˜€ ๐—ผ๐—ณ ๐—•๐—ฒ๐—ถ๐—ป๐—ด ๐—”๐—ป๐—ด๐—ฟ๐˜†

โ€œ๐˜›๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฉ๐˜ข๐˜ด ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ข ๐˜ญ๐˜ฐ๐˜ต ๐˜ฐ๐˜ง ๐˜ฉ๐˜ข๐˜ต๐˜ฆ ๐˜ถ๐˜ฏ๐˜ญ๐˜ฐ๐˜ข๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ถ๐˜ณ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ฐ๐˜ง ๐˜ˆ๐˜ฏ๐˜ฏ๐˜ฆ ๐˜ž.

๐˜ ๐˜ฎ๐˜ถ๐˜ด๐˜ต ๐˜ข๐˜ฅ๐˜ฎ๐˜ช๐˜ต ๐˜ต๐˜ฐ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ฃ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฆ๐˜ณ๐˜ณ๐˜ช๐˜ฃ๐˜ญ๐˜บ ๐˜ด๐˜ถ๐˜ณ๐˜ฑ๐˜ณ๐˜ช๐˜ด๐˜ฆ๐˜ฅ. ๐˜˜๐˜ถ๐˜ช๐˜ต๐˜ฆ ๐˜ข ๐˜ญ๐˜ฐ๐˜ต ๐˜ฐ๐˜ง ๐˜ถ๐˜ด ๐˜ข๐˜ค๐˜ณ๐˜ฐ๐˜ด๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜“๐˜Ž๐˜‰๐˜›+ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜บ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ฉ๐˜ข๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฑ๐˜ถ๐˜ต ๐˜ถ๐˜ฑ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ๐˜ท๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด. ๐˜ˆ๐˜ฏ๐˜ฅ ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด. ๐˜š๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ถ๐˜ด ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ด๐˜ต-๐˜›๐˜ฉ๐˜ข๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฅ๐˜ข๐˜บ๐˜ด. ๐˜•๐˜ฐ๐˜ต ๐˜ข ๐˜ฉ๐˜ข๐˜ฑ๐˜ฑ๐˜บ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฐ๐˜ฅ. ๐˜›๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ซ๐˜ฐ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜๐˜ข๐˜ณ๐˜ข๐˜จ๐˜ฆ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ต๐˜ข๐˜ฃ๐˜ช๐˜ญ๐˜ช๐˜ต๐˜บ ๐˜ฎ๐˜ข๐˜ด๐˜ฌ ๐˜ธ๐˜ข๐˜ด ๐˜ฐ๐˜ง๐˜ง.

๐˜๐˜ง ๐˜บ๐˜ฐ๐˜ถ ๐˜ฑ๐˜ถ๐˜ต ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ด๐˜ต๐˜ณ๐˜ฆ๐˜ด๐˜ด. ๐˜›๐˜ฆ๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ข๐˜ณ๐˜ฆ ๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ด๐˜ต ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ข๐˜ซ๐˜ฐ๐˜ณ๐˜ช๐˜ต๐˜บ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ถ๐˜ด๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜Ž๐˜ฐ๐˜ฅ ๐˜ข๐˜ด ๐˜ข๐˜ฏ ๐˜ฆ๐˜น๐˜ค๐˜ถ๐˜ด๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฉ๐˜ข๐˜ต๐˜ฆ; ๐˜ช๐˜ตโ€™๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ด๐˜ถ๐˜ณ๐˜ฑ๐˜ณ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จ (๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ญ๐˜บ) ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ณ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฃ๐˜ถ๐˜ฃ๐˜ฃ๐˜ญ๐˜ฆ ๐˜ถ๐˜ฑ ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ถ๐˜ณ๐˜ง๐˜ข๐˜ค๐˜ฆ. ๐˜š๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ด๐˜ต๐˜ข๐˜บ๐˜ด ๐˜ฉ๐˜ช๐˜ฅ๐˜ฅ๐˜ฆ๐˜ฏ ๐˜ฃ๐˜ฆ๐˜ค๐˜ข๐˜ถ๐˜ด๐˜ฆ, ๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ช๐˜ต ๐˜ช๐˜ด ๐˜ณ๐˜ฆ๐˜ข๐˜ญ, ๐˜ช๐˜ต ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ถ๐˜ฏ๐˜ข๐˜ค๐˜ค๐˜ฆ๐˜ฑ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ช๐˜ฏ โ€˜๐˜ค๐˜ช๐˜ท๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ฆ๐˜ฅโ€™ ๐˜ด๐˜ฐ๐˜ค๐˜ช๐˜ฆ๐˜ต๐˜บ.

๐˜š๐˜ฐ ๐˜ธ๐˜ฆโ€™๐˜ณ๐˜ฆ ๐˜ต๐˜ฐ๐˜ญ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ, ๐˜ง๐˜ฐ๐˜ณ๐˜จ๐˜ช๐˜ท๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ต๐˜ง๐˜ถ๐˜ญ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ข๐˜ค๐˜ฆ ๐˜ฐ๐˜ง ๐˜ข ๐˜ฎ๐˜ถ๐˜ณ๐˜ฅ๐˜ฆ๐˜ณ. ๐˜ž๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ, ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜จ๐˜ณ๐˜ฆ๐˜ข๐˜ต ๐˜ฆ๐˜ง๐˜ง๐˜ฐ๐˜ณ๐˜ต, ๐˜ต๐˜ณ๐˜ช๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฅ๐˜ฐ. ๐˜ž๐˜ฉ๐˜ช๐˜ญ๐˜ด๐˜ต ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ข๐˜ฎ๐˜ฆ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ต๐˜ณ๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฐ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ฎ๐˜บ ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ญ๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜ช๐˜ฏ. ๐˜š๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ช๐˜ฎ๐˜ฆ๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ด๐˜ข๐˜ต๐˜ช๐˜ณ๐˜ฆ, ๐˜ฃ๐˜ฆ๐˜ค๐˜ข๐˜ถ๐˜ด๐˜ฆ ๐˜ช๐˜ตโ€™๐˜ด ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ. ๐˜ˆ ๐˜ฒ๐˜ถ๐˜ฆ๐˜ข๐˜ด๐˜บ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ง ๐˜ฃ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ ๐˜ด๐˜ฐ๐˜ณ๐˜ณ๐˜บ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ฅ๐˜ฐ๐˜ฏโ€™๐˜ต.

๐˜๐˜ตโ€™๐˜ด ๐˜ฉ๐˜ข๐˜ณ๐˜ฅ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ด๐˜ฐ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ๐˜ง๐˜ถ๐˜ญ ๐˜ฉ๐˜ข๐˜ด ๐˜ฉ๐˜ข๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ (๐˜ฎ๐˜ฆ๐˜ต๐˜ข๐˜ฑ๐˜ฉ๐˜ฐ๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ญ) ๐˜ง๐˜ฐ๐˜ฐ๐˜ต ๐˜ฐ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฏ๐˜ฆ๐˜ค๐˜ฌ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฅ๐˜ฆ๐˜ค๐˜ข๐˜ฅ๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜ด๐˜ถ๐˜ฅ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ญ๐˜บ ๐˜ณ๐˜ช๐˜ด๐˜ฆ ๐˜ข๐˜ฃ๐˜ฐ๐˜ท๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฐ๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ.โ€

(My original Facebook post 11/7/26)

There is a particular kind of exhaustion that comes with being told how to feel. In the days after Anne Widdcombeโ€™s murder, the performative grief descended with an almost rehearsed uniformity. And I sat with that exhaustion for a long time before I could write a word of this. Because the exhaustion itself is part of the story, and it has a history.

I am not defending the murder. I want to be clear about that from the start, because I know the script by now. Any attempt to articulate the psychology of suffering is read as a justification of violence, and that reading is itself a silencing technique. So let me say plainly: the taking of a life is not something I will justify. What I will do (what I believe philosophy obliges me to do) is try to understand the moral and psychological terrain that makes certain silences, certain refusals, certain difficult feelings, not only intelligible but earned.

Anne Widdcombe spent decades wielding her powerful political platform, her intellect, and her faith as instruments of exclusion. She did so with consistency, with rhetorical skill, and with an almost theological certainty that some lives were simply less worthy of protection. I remember her in the years after Section 28, when I was still working out who I was, when the air in this country felt thick with the message that people like me were aberrations. She was not alone in that, but she was loud, and she was articulate, and she gave permission to others to voice what had previously been whispered. The respectability she later dispensed with (via her Farage alliance) was a mask she had worn over something harder and colder. Many of us saw through it long before she took it off.

๐—ง๐—ต๐—ฒ ๐—ฃ๐˜€๐˜†๐—ฐ๐—ต๐—ผ๐—น๐—ผ๐—ด๐˜† ๐—ผ๐—ณ ๐—•๐—ฒ๐—ถ๐—ป๐—ด ๐— ๐—ฎ๐—ฑ๐—ฒ ๐—Ÿ๐—ฒ๐˜€๐˜€

Frantz Fanon wrote, in ๐˜›๐˜ฉ๐˜ฆ ๐˜ž๐˜ณ๐˜ฆ๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ, that the colonised do not only resist the coloniser externally, they carry the coloniser ๐—ถ๐—ป๐˜€๐—ถ๐—ฑ๐—ฒ. The oppressed absorb the frameworks of their oppression. They begin to measure themselves against standards set by those who despise them. This is not weakness; it is psychology. It is the mindโ€™s attempt to make sense of an unlivable situation. When every institution, every newspaper, every ๐˜€๐—ฒ๐—ฟ๐—บ๐—ผ๐—ป, every political speech tells you that you are an error (a confusion, a perversion, a threat) the cognitive dissonance is unbearable, and the only way to survive it is to either fight or to fold. Many of us folded for years. Many of us are still folding.

Simone de Beauvoir wrote that ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ฃ๐˜ฐ๐˜ณ๐˜ฏ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ณ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฃ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด, ๐˜ข ๐˜ธ๐˜ฐ๐˜ฎ๐˜ข๐˜ฏ.What she meant is that gender is ๐—ป๐—ผ๐˜ ๐—ฒ๐˜€๐˜€๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฏ๐˜‚๐˜ ๐˜€๐—ถ๐˜๐˜‚๐—ฎ๐˜๐—ถ๐—ผ๐—ป. It is made, imposed, iterated across a lifetime until it feels like nature. The same is true of the hatred directed at transgender people. It is not a fact we inherit; it is a construction we are ๐—ณ๐—ผ๐—ฟ๐—ฐ๐—ฒ๐—ฑ to inhabit. Anne Widdcombe did not merely disagree with existence of LGBT+ people. She participated in the construction of my unworthiness as a public fact. And she did so across decades, across governments, across a cultural landscape that shifted beneath her yet never shook her conviction that she knew what we were. Often co-established by her adopted Catholic faith.

This is what I mean when I say I am not surprised. I do not mean that I wanted this. I mean that the soil in which such violence eventually blooms is not mysterious. It is cultivated, year after year, by people who never have to answer for what they sowed.

๐—ข๐—ป ๐—”๐—ป๐—ด๐—ฒ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐—œ๐˜๐˜€ ๐—˜๐˜๐—ต๐—ถ๐—ฐ๐˜€

Aristotle understood something essential about anger: that it is not a failure of reason but a 'form' of it. ๐˜›๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ข๐˜ฏ๐˜จ๐˜ณ๐˜บ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ฑ๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ, ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ฅ๐˜ฆ๐˜จ๐˜ณ๐˜ฆ๐˜ฆ, ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ, ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ฑ๐˜ถ๐˜ณ๐˜ฑ๐˜ฐ๐˜ด๐˜ฆ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ธ๐˜ข๐˜บ โ€” ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ฆ๐˜ข๐˜ด๐˜บ. He placed anger within the catalogue of emotions that constitute ๐—บ๐—ผ๐—ฟ๐—ฎ๐—น ๐—ฐ๐—ต๐—ฎ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ฒ๐—ฟ. Anger, in Aristotleโ€™s view, is a response to the perception of serious injury. It asserts that something matters, that some boundary has been crossed. When the boundary is oneโ€™s basic humanity, oneโ€™s right to exist without state-sanctioned contempt, the anger is not pathological. It is appropriate.

I remember Aristotleโ€™s words, not because I always achieve the right degree and the right way, but because they remind me that the attempt to be serene in the face of oneโ€™s own dehumanisation is not a moral requirement. It is a luxury. It is the luxury of those who have never had their personhood stripped away piece by piece and then been told to be grateful for the process.

De Beauvoir, in ๐˜›๐˜ฉ๐˜ฆ ๐˜š๐˜ฆ๐˜ค๐˜ฐ๐˜ฏ๐˜ฅ ๐˜š๐˜ฆ๐˜น, writes of womenโ€™s anger as something that has historically been pathologised precisely because it threatens power structures that prefer womenโ€™s acquiescence. The woman who is angry is hysterical, difficult, and not to be trusted. The transgender person who is angry is likewise coded โ€” as ๐—ฎ๐—ด๐—ด๐—ฟ๐—ฒ๐˜€๐˜€๐—ถ๐˜ƒ๐—ฒ, as demanding, as having an agenda. Anne Widdcombe understood this coding and deployed it deliberately. She spoke of us as though our anger at her was itself the evidence of our moral failure. And the public, by and large, agreed.

So when I say I feel a queasy reluctance to grieve, I am not performing shock. I am trying to be honest about what I feel. And honesty, in a world that rewards the polished lie, is its own form of resistance.

๐—ง๐—ต๐—ฒ ๐—œ๐—บ๐—ฝ๐—ผ๐˜€๐˜€๐—ถ๐—ฏ๐—ถ๐—น๐—ถ๐˜๐˜† ๐—ผ๐—ณ ๐——๐—ฒ๐—บ๐—ฎ๐—ป๐—ฑ๐—ฒ๐—ฑ ๐—™๐—ผ๐—ฟ๐—ด๐—ถ๐˜ƒ๐—ฒ๐—ป๐—ฒ๐˜€๐˜€

Martha Nussbaum, in her work on anger and forgiveness, makes a crucial distinction. Anger, she argues, assumes a kind of reciprocity. It wants the wrongdoer to suffer in proportion to the harm inflicted. This, she suggests, is why many moral philosophers from the Stoics onwards have urged us to abandon anger: because its transactional quality keeps us locked in the injury rather than liberated from it. But Nussbaum also acknowledges what she calls the ๐˜ฎ๐˜ฐ๐˜ณ๐˜ข๐˜ญ ๐˜จ๐˜ณ๐˜ช๐˜ฆ๐˜ง that remains even after forgiveness. It is the recognition that something was taken that cannot be given back. This is not anger in the petty sense. ๐—œ๐˜ ๐—ถ๐˜€ ๐˜๐—ต๐—ฒ ๐—ด๐—ฟ๐—ถ๐—ฒ๐—ณ ๐—ผ๐—ณ ๐˜€๐—ผ๐—บ๐—ฒ๐—ผ๐—ป๐—ฒ ๐˜„๐—ต๐—ผ ๐—ต๐—ฎ๐˜€ ๐—น๐—ผ๐˜€๐˜ ๐˜†๐—ฒ๐—ฎ๐—ฟ๐˜€ ๐—ผ๐—ณ ๐˜€๐—ฒ๐—น๐—ณ๐—ต๐—ผ๐—ผ๐—ฑ, ๐—ผ๐—ฟ ๐—ฑ๐—ถ๐—ด๐—ป๐—ถ๐˜๐˜†, ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐˜€๐—ถ๐—บ๐—ฝ๐—น๐—ฒ ๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฐ๐˜๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐—ฏ๐—ฒ๐—ถ๐—ป๐—ด ๐˜๐—ฟ๐—ฒ๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ฎ๐˜€ ๐—ต๐˜‚๐—บ๐—ฎ๐—ป.

What strikes me about the calls for forgiveness that followed this murder is how they assume forgiveness is owed. It is not. Forgiveness is not a debt. It cannot be levied or collected. It is a gift, and gifts require the freedom to be declined. I have not decided whether I will ever feel forgiveness for Anne Widdecombe, and I do not believe the decision is yours to make, or the publicโ€™s, or any institutionโ€™s. The demand for my forgiveness is another small act of control: one more insistence that I manage my pain in ways that are comfortable for others.

๐— ๐—ผ๐—ฟ๐—ฎ๐—น ๐—œ๐—ป๐—ท๐˜‚๐—ฟ๐˜† ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—–๐—ผ๐—น๐—น๐—ฎ๐—ฝ๐˜€๐—ฒ๐—ฑ ๐—˜๐—บ๐—ฝ๐—ฎ๐˜๐—ต

Psychologists who study moral injury describe a particular kind of damage that occurs when one is forced to participate in, or is systematically subjected to, injustice. It is distinct from PTSD, though it overlaps with it. ๐— ๐—ผ๐—ฟ๐—ฎ๐—น ๐—ถ๐—ป๐—ท๐˜‚๐—ฟ๐˜† ๐—ฐ๐—ผ๐—ฟ๐—ฟ๐—ผ๐—ฑ๐—ฒ๐˜€ ๐˜๐—ต๐—ฒ ๐—ฐ๐—ฎ๐—ฝ๐—ฎ๐—ฐ๐—ถ๐˜๐˜† ๐—ณ๐—ผ๐—ฟ ๐—ฒ๐—บ๐—ฝ๐—ฎ๐˜๐—ต๐˜† ๐—ป๐—ผ๐˜ ๐—ฏ๐˜† ๐—บ๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐˜€๐—ผ๐—บ๐—ฒ๐—ผ๐—ป๐—ฒ ๐—ฐ๐—ฟ๐˜‚๐—ฒ๐—น ๐—ฏ๐˜‚๐˜ ๐—ฏ๐˜† ๐—ฟ๐—ฒ๐˜ƒ๐—ฒ๐—ฎ๐—น๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—ฐ๐—ผ๐˜€๐˜ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ๐—ถ๐—ฟ ๐˜ƒ๐˜‚๐—น๐—ป๐—ฒ๐—ฟ๐—ฎ๐—ฏ๐—ถ๐—น๐—ถ๐˜๐˜†. If you have spent a seeming lifetime being the object of Anne Widdcombeโ€™s moral scorn (her conviction that your life was a matter of theological concern, political platforming, and public debate), then the well of compassion from which you might draw in response to her death may simply have run dry. That is not a moral failure. It is the predictable consequence of decades long moral harm.

James Baldwin wrote, in a different context but with great relevance, ๐˜›๐˜ฉ๐˜ฆ๐˜บ ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ข ๐˜ฅ๐˜ฆ๐˜จ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ฆ. ๐˜ ๐˜ฃ๐˜ฆ๐˜ค๐˜ข๐˜ฎ๐˜ฆ ๐˜ฐ๐˜ฏ๐˜ฆ. The sentence is an indictment of the maker, not the made. It names the violence of the imputation. The way that being labelled ๐—น๐—ฒ๐˜€๐˜€ than human creates the conditions in which it becomes difficult to hold oneโ€™s own humanity intact. Baldwin also understood that ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ข๐˜ฑ๐˜ข๐˜ค๐˜ช๐˜ต๐˜บ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ข๐˜ค๐˜ต ๐˜ช๐˜ด ๐˜ข ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ ๐˜ฐ๐˜ง ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ. Those who have always been granted tact, those whose feelings have always been treated as worthy of consideration, are always ๐—ฎ๐—น๐—ฟ๐—ฒ๐—ฎ๐—ฑ๐˜† powerful. To refuse tact, to speak plainly about the anger one feels, is to refuse the terms of that power. Satire is one of the instruments of that refusal. Laughter, even uncomfortable laughter, even laughter that others find distasteful, is an assertion that we have not been completely subdued.

๐—ฅ๐—ถ๐˜๐˜‚๐—ฎ๐—น, ๐—ฆ๐—ฎ๐˜๐—ถ๐—ฟ๐—ฒ, ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐˜๐—ฎ๐˜†๐—ถ๐—ป๐—ด ๐—”๐—น๐—ถ๐˜ƒ๐—ฒ

I wrote satire in the day after her death. I did not write it because I am cruel. I wrote it because the alternative was to drown in the acid of personal fear, and I am not ready to drown. Satire has always been a survival tool for the margins, for the communities who could not win in open debate because the rules were written by our opponents, who could not access the platforms where their lies were given credibility. We laughed because the laughter kept us upright. The laughter said, โ€˜๐—ฌ๐—ผ๐˜‚ ๐—ฐ๐—ฎ๐—ป๐—ป๐—ผ๐˜ ๐—บ๐—ฎ๐—ธ๐—ฒ ๐˜‚๐˜€ ๐—ฏ๐—ฒ๐—น๐—ถ๐—ฒ๐˜ƒ๐—ฒ ๐˜„๐—ฒ ๐—ฑ๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฒ ๐˜„๐—ต๐—ฎ๐˜ ๐˜†๐—ผ๐˜‚ ๐—ฑ๐—ผ ๐˜๐—ผ ๐˜‚๐˜€โ€™.

The ritualised grief I was being asked to perform (the solemn condemnation, the dignified silence, and the acceptance of the dominant narrative about who Anne Widdcombe was and what she represented) required me to erase my own history. It required me to forget the years of watching her work erode the scaffolding of my selfhood. I tried, in my own way, to be decent about it. I tried to hold both things at once: the recognition that a person had died and the recognition that the world was not unambiguously worse for her going. Both things can be true. ๐—•๐—ผ๐˜๐—ต ๐˜๐—ต๐—ถ๐—ป๐—ด๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐˜๐—ฟ๐˜‚๐—ฒ. ๐—”๐—ป๐—ฑ ๐—œ ๐—ฟ๐—ฒ๐—ณ๐˜‚๐˜€๐—ฒ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ถ๐—ป๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐—ฒ๐—ฑ ๐—ผ๐˜‚๐˜ ๐—ผ๐—ณ ๐—ฒ๐—ถ๐˜๐—ต๐—ฒ๐—ฟ ๐˜๐—ฟ๐˜‚๐˜๐—ต.

Rumi wrote that ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ช๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ญ๐˜ข๐˜ค๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜“๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜บ๐˜ฐ๐˜ถ. I have always been cautious with this one. Wounds can also be the place where the dark settles and makes its home, and that is honest too. But I think what Rumi is pointing at, however imperfectly, is that the damage we carry is not only loss. Sometimes it is the site of our clearest sight. T๐—ต๐—ฒ ๐˜„๐—ผ๐˜‚๐—ป๐—ฑ ๐—ถ๐˜€ ๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒ ๐˜„๐—ฒ ๐—น๐—ฒ๐—ฎ๐—ฟ๐—ป๐˜, ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ผ๐—ป๐—น๐˜† ๐˜€๐—ฐ๐—ต๐—ผ๐—ผ๐—น ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ, ๐˜„๐—ต๐—ฎ๐˜ ๐—ถ๐˜ ๐—ฐ๐—ผ๐˜€๐˜๐˜€ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ฑ๐—ถ๐—บ๐—ถ๐—ป๐—ถ๐˜€๐—ต๐—ฒ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ต๐—ฎ๐˜ ๐—ถ๐˜ ๐—ฑ๐—ฒ๐—บ๐—ฎ๐—ป๐—ฑ๐˜€ ๐˜๐—ผ ๐—ฟ๐—ฒ๐—บ๐—ฎ๐—ถ๐—ป ๐˜„๐—ต๐—ผ๐—น๐—ฒ ๐—ฎ๐—ป๐˜†๐˜„๐—ฎ๐˜†.

I do not know what I really feel about Anne Widdcombeโ€™s death. Maybe nothing. I know what I feel about what she did while alive. I know that being asked to be serene about my own oppression is itself a form of it. And I know that I will keep writing, keep thinking, keep feeling all of this without resolution, because that is what it means to be a person who has been through something and come out the other side still here, still refusing to disappear.

That refusal, in the end, is its own answer.