On being Angry
Frantz Fanon wrote, in ๐๐ฉ๐ฆ ๐๐ณ๐ฆ๐ต๐ค๐ฉ๐ฆ๐ฅ ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐๐ข๐ณ๐ต๐ฉ, that the colonised do not only resist the coloniser externally; they carry the coloniser ๐ถ๐ป๐๐ถ๐ฑ๐ฒ. The oppressed absorb the frameworks of their oppression.
๐ง๐ต๐ฒ ๐๐๐ต๐ถ๐ฐ๐ ๐ผ๐ณ ๐๐ฒ๐ถ๐ป๐ด ๐๐ป๐ด๐ฟ๐
โ๐๐ฉ๐ฆ๐ณ๐ฆ ๐ฉ๐ข๐ด ๐ฃ๐ฆ๐ฆ๐ฏ ๐ข ๐ญ๐ฐ๐ต ๐ฐ๐ง ๐ฉ๐ข๐ต๐ฆ ๐ถ๐ฏ๐ญ๐ฐ๐ข๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ฎ๐ถ๐ณ๐ฅ๐ฆ๐ณ ๐ฐ๐ง ๐๐ฏ๐ฏ๐ฆ ๐.
๐ ๐ฎ๐ถ๐ด๐ต ๐ข๐ฅ๐ฎ๐ช๐ต ๐ต๐ฐ ๐ฏ๐ฐ๐ต ๐ฃ๐ฆ๐ช๐ฏ๐จ ๐ต๐ฆ๐ณ๐ณ๐ช๐ฃ๐ญ๐บ ๐ด๐ถ๐ณ๐ฑ๐ณ๐ช๐ด๐ฆ๐ฅ. ๐๐ถ๐ช๐ต๐ฆ ๐ข ๐ญ๐ฐ๐ต ๐ฐ๐ง ๐ถ๐ด ๐ข๐ค๐ณ๐ฐ๐ด๐ด ๐ต๐ฉ๐ฆ ๐๐๐๐+ ๐ค๐ฐ๐ฎ๐ฎ๐ถ๐ฏ๐ช๐ต๐บ ๐ฉ๐ข๐ท๐ฆ ๐ฉ๐ข๐ฅ ๐ต๐ฐ ๐ฑ๐ถ๐ต ๐ถ๐ฑ ๐ธ๐ช๐ต๐ฉ ๐ฉ๐ฆ๐ณ ๐ช๐ฏ๐ท๐ฆ๐ค๐ต๐ช๐ท๐ฆ ๐ง๐ฐ๐ณ ๐บ๐ฆ๐ข๐ณ๐ด. ๐๐ฏ๐ฅ ๐บ๐ฆ๐ข๐ณ๐ด. ๐๐ฐ๐ฎ๐ฆ ๐ฐ๐ง ๐ถ๐ด ๐ฆ๐ท๐ฆ๐ฏ ๐ณ๐ฆ๐ฎ๐ฆ๐ฎ๐ฃ๐ฆ๐ณ ๐ฉ๐ฆ๐ณ ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ฑ๐ฐ๐ด๐ต-๐๐ฉ๐ข๐ต๐ค๐ฉ๐ฆ๐ณ ๐ฅ๐ข๐บ๐ด. ๐๐ฐ๐ต ๐ข ๐ฉ๐ข๐ฑ๐ฑ๐บ ๐ฑ๐ฆ๐ณ๐ช๐ฐ๐ฅ. ๐๐ฉ๐ฆ๐ฏ ๐ด๐ฉ๐ฆ ๐ซ๐ฐ๐ช๐ฏ๐ฆ๐ฅ ๐๐ข๐ณ๐ข๐จ๐ฆ, ๐ข๐ฏ๐ฅ ๐ต๐ฉ๐ฆ ๐ณ๐ฆ๐ด๐ฑ๐ฆ๐ค๐ต๐ข๐ฃ๐ช๐ญ๐ช๐ต๐บ ๐ฎ๐ข๐ด๐ฌ ๐ธ๐ข๐ด ๐ฐ๐ง๐ง.
๐๐ง ๐บ๐ฐ๐ถ ๐ฑ๐ถ๐ต ๐ฑ๐ฆ๐ฐ๐ฑ๐ญ๐ฆ ๐ถ๐ฏ๐ฅ๐ฆ๐ณ ๐ด๐ต๐ณ๐ฆ๐ด๐ด. ๐๐ฆ๐ญ๐ญ ๐ต๐ฉ๐ฆ๐ฎ ๐ต๐ฉ๐ข๐ต ๐ต๐ฉ๐ฆ๐บ ๐ข๐ณ๐ฆ ๐ญ๐ฆ๐ด๐ด ๐ต๐ฉ๐ข๐ฏ ๐ต๐ฉ๐ฆ ๐ณ๐ฆ๐ด๐ต ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐ฎ๐ข๐ซ๐ฐ๐ณ๐ช๐ต๐บ ๐ค๐ฐ๐ฎ๐ฎ๐ถ๐ฏ๐ช๐ต๐บ, ๐ข๐ฏ๐ฅ ๐ต๐ฉ๐ฆ๐ฏ ๐ถ๐ด๐ฆ ๐บ๐ฐ๐ถ๐ณ ๐๐ฐ๐ฅ ๐ข๐ด ๐ข๐ฏ ๐ฆ๐น๐ค๐ถ๐ด๐ฆ ๐ง๐ฐ๐ณ ๐บ๐ฐ๐ถ๐ณ ๐ฉ๐ข๐ต๐ฆ; ๐ช๐ตโ๐ด ๐ฏ๐ฐ๐ต ๐ด๐ถ๐ณ๐ฑ๐ณ๐ช๐ด๐ช๐ฏ๐จ (๐ณ๐ฆ๐ข๐ญ๐ญ๐บ) ๐ต๐ฉ๐ข๐ต ๐ต๐ฉ๐ฆ๐ช๐ณ ๐ข๐ฏ๐จ๐ฆ๐ณ ๐ธ๐ช๐ญ๐ญ ๐ฃ๐ถ๐ฃ๐ฃ๐ญ๐ฆ ๐ถ๐ฑ ๐ถ๐ฏ๐ฅ๐ฆ๐ณ ๐ต๐ฉ๐ฆ ๐ด๐ถ๐ณ๐ง๐ข๐ค๐ฆ. ๐๐ฐ๐ฎ๐ฆ๐ต๐ฉ๐ช๐ฏ๐จ ๐ต๐ฉ๐ข๐ต ๐ด๐ต๐ข๐บ๐ด ๐ฉ๐ช๐ฅ๐ฅ๐ฆ๐ฏ ๐ฃ๐ฆ๐ค๐ข๐ถ๐ด๐ฆ, ๐ต๐ฉ๐ฐ๐ถ๐จ๐ฉ ๐ช๐ต ๐ช๐ด ๐ณ๐ฆ๐ข๐ญ, ๐ช๐ต ๐ช๐ด ๐ฏ๐ฐ๐ต ๐ถ๐ฏ๐ข๐ค๐ค๐ฆ๐ฑ๐ต๐ข๐ฃ๐ญ๐ฆ ๐ช๐ฏ โ๐ค๐ช๐ท๐ช๐ญ๐ช๐ด๐ฆ๐ฅโ ๐ด๐ฐ๐ค๐ช๐ฆ๐ต๐บ.
๐๐ฐ ๐ธ๐ฆโ๐ณ๐ฆ ๐ต๐ฐ๐ญ๐ฅ ๐ต๐ฐ ๐ฃ๐ฆ ๐ฌ๐ช๐ฏ๐ฅ, ๐ง๐ฐ๐ณ๐จ๐ช๐ท๐ช๐ฏ๐จ ๐ข๐ฏ๐ฅ ๐ณ๐ฆ๐ด๐ฑ๐ฆ๐ค๐ต๐ง๐ถ๐ญ ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ง๐ข๐ค๐ฆ ๐ฐ๐ง ๐ข ๐ฎ๐ถ๐ณ๐ฅ๐ฆ๐ณ. ๐๐ฉ๐ช๐ค๐ฉ ๐ ๐ฉ๐ข๐ท๐ฆ, ๐ธ๐ช๐ต๐ฉ ๐จ๐ณ๐ฆ๐ข๐ต ๐ฆ๐ง๐ง๐ฐ๐ณ๐ต, ๐ต๐ณ๐ช๐ฆ๐ฅ ๐ต๐ฐ ๐ฅ๐ฐ. ๐๐ฉ๐ช๐ญ๐ด๐ต ๐ข๐ต ๐ต๐ฉ๐ฆ ๐ด๐ข๐ฎ๐ฆ ๐ต๐ช๐ฎ๐ฆ ๐ต๐ณ๐บ๐ช๐ฏ๐จ ๐ต๐ฐ ๐ท๐ฐ๐ช๐ค๐ฆ ๐ฎ๐บ ๐ถ๐ฏ๐ฅ๐ฆ๐ณ๐ญ๐บ๐ช๐ฏ๐จ ๐ฑ๐ข๐ช๐ฏ. ๐๐ฐ๐ฎ๐ฆ๐ต๐ช๐ฎ๐ฆ๐ด ๐ธ๐ช๐ต๐ฉ ๐ด๐ข๐ต๐ช๐ณ๐ฆ, ๐ฃ๐ฆ๐ค๐ข๐ถ๐ด๐ฆ ๐ช๐ตโ๐ด ๐ฉ๐ฐ๐ธ ๐ ๐ง๐ฆ๐ฆ๐ญ. ๐ ๐ฒ๐ถ๐ฆ๐ข๐ด๐บ ๐ง๐ฆ๐ฆ๐ญ๐ช๐ฏ๐จ ๐ฐ๐ง ๐ฃ๐ฆ๐ช๐ฏ๐จ ๐ฎ๐ข๐ฅ๐ฆ ๐ต๐ฐ ๐ง๐ฆ๐ฆ๐ญ ๐ด๐ฐ๐ณ๐ณ๐บ ๐ธ๐ฉ๐ฆ๐ฏ ๐ ๐ฅ๐ฐ๐ฏโ๐ต.
๐๐ตโ๐ด ๐ฉ๐ข๐ณ๐ฅ ๐ธ๐ฉ๐ฆ๐ฏ ๐ด๐ฐ๐ฎ๐ฆ๐ฐ๐ฏ๐ฆ ๐ด๐ฐ ๐ฑ๐ฐ๐ธ๐ฆ๐ณ๐ง๐ถ๐ญ ๐ฉ๐ข๐ด ๐ฉ๐ข๐ฅ ๐ต๐ฉ๐ฆ๐ช๐ณ (๐ฎ๐ฆ๐ต๐ข๐ฑ๐ฉ๐ฐ๐ณ๐ช๐ค๐ข๐ญ) ๐ง๐ฐ๐ฐ๐ต ๐ฐ๐ฏ ๐บ๐ฐ๐ถ๐ณ ๐ฏ๐ฆ๐ค๐ฌ ๐ง๐ฐ๐ณ ๐ฅ๐ฆ๐ค๐ข๐ฅ๐ฆ๐ด ๐ต๐ฐ ๐ด๐ถ๐ฅ๐ฅ๐ฆ๐ฏ๐ญ๐บ ๐ณ๐ช๐ด๐ฆ ๐ข๐ฃ๐ฐ๐ท๐ฆ ๐บ๐ฐ๐ถ๐ณ ๐ฐ๐ฑ๐ฑ๐ณ๐ฆ๐ด๐ด๐ช๐ฐ๐ฏ.โ
(My original Facebook post 11/7/26)
There is a particular kind of exhaustion that comes with being told how to feel. In the days after Anne Widdcombeโs murder, the performative grief descended with an almost rehearsed uniformity. And I sat with that exhaustion for a long time before I could write a word of this. Because the exhaustion itself is part of the story, and it has a history.
I am not defending the murder. I want to be clear about that from the start, because I know the script by now. Any attempt to articulate the psychology of suffering is read as a justification of violence, and that reading is itself a silencing technique. So let me say plainly: the taking of a life is not something I will justify. What I will do (what I believe philosophy obliges me to do) is try to understand the moral and psychological terrain that makes certain silences, certain refusals, certain difficult feelings, not only intelligible but earned.
Anne Widdcombe spent decades wielding her powerful political platform, her intellect, and her faith as instruments of exclusion. She did so with consistency, with rhetorical skill, and with an almost theological certainty that some lives were simply less worthy of protection. I remember her in the years after Section 28, when I was still working out who I was, when the air in this country felt thick with the message that people like me were aberrations. She was not alone in that, but she was loud, and she was articulate, and she gave permission to others to voice what had previously been whispered. The respectability she later dispensed with (via her Farage alliance) was a mask she had worn over something harder and colder. Many of us saw through it long before she took it off.
๐ง๐ต๐ฒ ๐ฃ๐๐๐ฐ๐ต๐ผ๐น๐ผ๐ด๐ ๐ผ๐ณ ๐๐ฒ๐ถ๐ป๐ด ๐ ๐ฎ๐ฑ๐ฒ ๐๐ฒ๐๐
Frantz Fanon wrote, in ๐๐ฉ๐ฆ ๐๐ณ๐ฆ๐ต๐ค๐ฉ๐ฆ๐ฅ ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐๐ข๐ณ๐ต๐ฉ, that the colonised do not only resist the coloniser externally, they carry the coloniser ๐ถ๐ป๐๐ถ๐ฑ๐ฒ. The oppressed absorb the frameworks of their oppression. They begin to measure themselves against standards set by those who despise them. This is not weakness; it is psychology. It is the mindโs attempt to make sense of an unlivable situation. When every institution, every newspaper, every ๐๐ฒ๐ฟ๐บ๐ผ๐ป, every political speech tells you that you are an error (a confusion, a perversion, a threat) the cognitive dissonance is unbearable, and the only way to survive it is to either fight or to fold. Many of us folded for years. Many of us are still folding.
Simone de Beauvoir wrote that ๐ฐ๐ฏ๐ฆ ๐ช๐ด ๐ฏ๐ฐ๐ต ๐ฃ๐ฐ๐ณ๐ฏ, ๐ฃ๐ถ๐ต ๐ณ๐ข๐ต๐ฉ๐ฆ๐ณ ๐ฃ๐ฆ๐ค๐ฐ๐ฎ๐ฆ๐ด, ๐ข ๐ธ๐ฐ๐ฎ๐ข๐ฏ.What she meant is that gender is ๐ป๐ผ๐ ๐ฒ๐๐๐ฒ๐ป๐ฐ๐ฒ ๐ฏ๐๐ ๐๐ถ๐๐๐ฎ๐๐ถ๐ผ๐ป. It is made, imposed, iterated across a lifetime until it feels like nature. The same is true of the hatred directed at transgender people. It is not a fact we inherit; it is a construction we are ๐ณ๐ผ๐ฟ๐ฐ๐ฒ๐ฑ to inhabit. Anne Widdcombe did not merely disagree with existence of LGBT+ people. She participated in the construction of my unworthiness as a public fact. And she did so across decades, across governments, across a cultural landscape that shifted beneath her yet never shook her conviction that she knew what we were. Often co-established by her adopted Catholic faith.
This is what I mean when I say I am not surprised. I do not mean that I wanted this. I mean that the soil in which such violence eventually blooms is not mysterious. It is cultivated, year after year, by people who never have to answer for what they sowed.
๐ข๐ป ๐๐ป๐ด๐ฒ๐ฟ ๐ฎ๐ป๐ฑ ๐๐๐ ๐๐๐ต๐ถ๐ฐ๐
Aristotle understood something essential about anger: that it is not a failure of reason but a 'form' of it. ๐๐ฐ ๐ฃ๐ฆ ๐ข๐ฏ๐จ๐ณ๐บ ๐ข๐ต ๐ต๐ฉ๐ฆ ๐ณ๐ช๐จ๐ฉ๐ต ๐ฑ๐ฆ๐ณ๐ด๐ฐ๐ฏ, ๐ต๐ฐ ๐ต๐ฉ๐ฆ ๐ณ๐ช๐จ๐ฉ๐ต ๐ฅ๐ฆ๐จ๐ณ๐ฆ๐ฆ, ๐ข๐ต ๐ต๐ฉ๐ฆ ๐ณ๐ช๐จ๐ฉ๐ต ๐ต๐ช๐ฎ๐ฆ, ๐ง๐ฐ๐ณ ๐ต๐ฉ๐ฆ ๐ณ๐ช๐จ๐ฉ๐ต ๐ฑ๐ถ๐ณ๐ฑ๐ฐ๐ด๐ฆ, ๐ข๐ฏ๐ฅ ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ณ๐ช๐จ๐ฉ๐ต ๐ธ๐ข๐บ โ ๐ต๐ฉ๐ช๐ด ๐ช๐ด ๐ฏ๐ฐ๐ต ๐ฆ๐ข๐ด๐บ. He placed anger within the catalogue of emotions that constitute ๐บ๐ผ๐ฟ๐ฎ๐น ๐ฐ๐ต๐ฎ๐ฟ๐ฎ๐ฐ๐๐ฒ๐ฟ. Anger, in Aristotleโs view, is a response to the perception of serious injury. It asserts that something matters, that some boundary has been crossed. When the boundary is oneโs basic humanity, oneโs right to exist without state-sanctioned contempt, the anger is not pathological. It is appropriate.
I remember Aristotleโs words, not because I always achieve the right degree and the right way, but because they remind me that the attempt to be serene in the face of oneโs own dehumanisation is not a moral requirement. It is a luxury. It is the luxury of those who have never had their personhood stripped away piece by piece and then been told to be grateful for the process.
De Beauvoir, in ๐๐ฉ๐ฆ ๐๐ฆ๐ค๐ฐ๐ฏ๐ฅ ๐๐ฆ๐น, writes of womenโs anger as something that has historically been pathologised precisely because it threatens power structures that prefer womenโs acquiescence. The woman who is angry is hysterical, difficult, and not to be trusted. The transgender person who is angry is likewise coded โ as ๐ฎ๐ด๐ด๐ฟ๐ฒ๐๐๐ถ๐๐ฒ, as demanding, as having an agenda. Anne Widdcombe understood this coding and deployed it deliberately. She spoke of us as though our anger at her was itself the evidence of our moral failure. And the public, by and large, agreed.
So when I say I feel a queasy reluctance to grieve, I am not performing shock. I am trying to be honest about what I feel. And honesty, in a world that rewards the polished lie, is its own form of resistance.
๐ง๐ต๐ฒ ๐๐บ๐ฝ๐ผ๐๐๐ถ๐ฏ๐ถ๐น๐ถ๐๐ ๐ผ๐ณ ๐๐ฒ๐บ๐ฎ๐ป๐ฑ๐ฒ๐ฑ ๐๐ผ๐ฟ๐ด๐ถ๐๐ฒ๐ป๐ฒ๐๐
Martha Nussbaum, in her work on anger and forgiveness, makes a crucial distinction. Anger, she argues, assumes a kind of reciprocity. It wants the wrongdoer to suffer in proportion to the harm inflicted. This, she suggests, is why many moral philosophers from the Stoics onwards have urged us to abandon anger: because its transactional quality keeps us locked in the injury rather than liberated from it. But Nussbaum also acknowledges what she calls the ๐ฎ๐ฐ๐ณ๐ข๐ญ ๐จ๐ณ๐ช๐ฆ๐ง that remains even after forgiveness. It is the recognition that something was taken that cannot be given back. This is not anger in the petty sense. ๐๐ ๐ถ๐ ๐๐ต๐ฒ ๐ด๐ฟ๐ถ๐ฒ๐ณ ๐ผ๐ณ ๐๐ผ๐บ๐ฒ๐ผ๐ป๐ฒ ๐๐ต๐ผ ๐ต๐ฎ๐ ๐น๐ผ๐๐ ๐๐ฒ๐ฎ๐ฟ๐ ๐ผ๐ณ ๐๐ฒ๐น๐ณ๐ต๐ผ๐ผ๐ฑ, ๐ผ๐ฟ ๐ฑ๐ถ๐ด๐ป๐ถ๐๐, ๐ผ๐ฟ ๐๐ต๐ฒ ๐๐ถ๐บ๐ฝ๐น๐ฒ ๐ฒ๐ ๐ฝ๐ฒ๐ฐ๐๐ฎ๐๐ถ๐ผ๐ป ๐ผ๐ณ ๐ฏ๐ฒ๐ถ๐ป๐ด ๐๐ฟ๐ฒ๐ฎ๐๐ฒ๐ฑ ๐ฎ๐ ๐ต๐๐บ๐ฎ๐ป.
What strikes me about the calls for forgiveness that followed this murder is how they assume forgiveness is owed. It is not. Forgiveness is not a debt. It cannot be levied or collected. It is a gift, and gifts require the freedom to be declined. I have not decided whether I will ever feel forgiveness for Anne Widdecombe, and I do not believe the decision is yours to make, or the publicโs, or any institutionโs. The demand for my forgiveness is another small act of control: one more insistence that I manage my pain in ways that are comfortable for others.
๐ ๐ผ๐ฟ๐ฎ๐น ๐๐ป๐ท๐๐ฟ๐ ๐ฎ๐ป๐ฑ ๐๐ต๐ฒ ๐๐ผ๐น๐น๐ฎ๐ฝ๐๐ฒ๐ฑ ๐๐บ๐ฝ๐ฎ๐๐ต
Psychologists who study moral injury describe a particular kind of damage that occurs when one is forced to participate in, or is systematically subjected to, injustice. It is distinct from PTSD, though it overlaps with it. ๐ ๐ผ๐ฟ๐ฎ๐น ๐ถ๐ป๐ท๐๐ฟ๐ ๐ฐ๐ผ๐ฟ๐ฟ๐ผ๐ฑ๐ฒ๐ ๐๐ต๐ฒ ๐ฐ๐ฎ๐ฝ๐ฎ๐ฐ๐ถ๐๐ ๐ณ๐ผ๐ฟ ๐ฒ๐บ๐ฝ๐ฎ๐๐ต๐ ๐ป๐ผ๐ ๐ฏ๐ ๐บ๐ฎ๐ธ๐ถ๐ป๐ด ๐๐ผ๐บ๐ฒ๐ผ๐ป๐ฒ ๐ฐ๐ฟ๐๐ฒ๐น ๐ฏ๐๐ ๐ฏ๐ ๐ฟ๐ฒ๐๐ฒ๐ฎ๐น๐ถ๐ป๐ด ๐๐ต๐ฒ ๐ฐ๐ผ๐๐ ๐ผ๐ณ ๐๐ต๐ฒ๐ถ๐ฟ ๐๐๐น๐ป๐ฒ๐ฟ๐ฎ๐ฏ๐ถ๐น๐ถ๐๐. If you have spent a seeming lifetime being the object of Anne Widdcombeโs moral scorn (her conviction that your life was a matter of theological concern, political platforming, and public debate), then the well of compassion from which you might draw in response to her death may simply have run dry. That is not a moral failure. It is the predictable consequence of decades long moral harm.
James Baldwin wrote, in a different context but with great relevance, ๐๐ฉ๐ฆ๐บ ๐ฎ๐ข๐ฅ๐ฆ ๐ฎ๐ฆ ๐ช๐ฏ๐ต๐ฐ ๐ข ๐ฅ๐ฆ๐จ๐ฆ๐ฏ๐ฆ๐ณ๐ข๐ต๐ฆ. ๐ ๐ฃ๐ฆ๐ค๐ข๐ฎ๐ฆ ๐ฐ๐ฏ๐ฆ. The sentence is an indictment of the maker, not the made. It names the violence of the imputation. The way that being labelled ๐น๐ฒ๐๐ than human creates the conditions in which it becomes difficult to hold oneโs own humanity intact. Baldwin also understood that ๐ต๐ฉ๐ฆ ๐ค๐ข๐ฑ๐ข๐ค๐ช๐ต๐บ ๐ง๐ฐ๐ณ ๐ต๐ข๐ค๐ต ๐ช๐ด ๐ข ๐ง๐ฐ๐ณ๐ฎ ๐ฐ๐ง ๐ฑ๐ฐ๐ธ๐ฆ๐ณ. Those who have always been granted tact, those whose feelings have always been treated as worthy of consideration, are always ๐ฎ๐น๐ฟ๐ฒ๐ฎ๐ฑ๐ powerful. To refuse tact, to speak plainly about the anger one feels, is to refuse the terms of that power. Satire is one of the instruments of that refusal. Laughter, even uncomfortable laughter, even laughter that others find distasteful, is an assertion that we have not been completely subdued.
๐ฅ๐ถ๐๐๐ฎ๐น, ๐ฆ๐ฎ๐๐ถ๐ฟ๐ฒ, ๐ฎ๐ป๐ฑ ๐ฆ๐๐ฎ๐๐ถ๐ป๐ด ๐๐น๐ถ๐๐ฒ
I wrote satire in the day after her death. I did not write it because I am cruel. I wrote it because the alternative was to drown in the acid of personal fear, and I am not ready to drown. Satire has always been a survival tool for the margins, for the communities who could not win in open debate because the rules were written by our opponents, who could not access the platforms where their lies were given credibility. We laughed because the laughter kept us upright. The laughter said, โ๐ฌ๐ผ๐ ๐ฐ๐ฎ๐ป๐ป๐ผ๐ ๐บ๐ฎ๐ธ๐ฒ ๐๐ ๐ฏ๐ฒ๐น๐ถ๐ฒ๐๐ฒ ๐๐ฒ ๐ฑ๐ฒ๐๐ฒ๐ฟ๐๐ฒ ๐๐ต๐ฎ๐ ๐๐ผ๐ ๐ฑ๐ผ ๐๐ผ ๐๐โ.
The ritualised grief I was being asked to perform (the solemn condemnation, the dignified silence, and the acceptance of the dominant narrative about who Anne Widdcombe was and what she represented) required me to erase my own history. It required me to forget the years of watching her work erode the scaffolding of my selfhood. I tried, in my own way, to be decent about it. I tried to hold both things at once: the recognition that a person had died and the recognition that the world was not unambiguously worse for her going. Both things can be true. ๐๐ผ๐๐ต ๐๐ต๐ถ๐ป๐ด๐ ๐ฎ๐ฟ๐ฒ ๐๐ฟ๐๐ฒ. ๐๐ป๐ฑ ๐ ๐ฟ๐ฒ๐ณ๐๐๐ฒ ๐๐ผ ๐ฏ๐ฒ ๐ถ๐ป๐๐๐ฟ๐๐ฐ๐๐ฒ๐ฑ ๐ผ๐๐ ๐ผ๐ณ ๐ฒ๐ถ๐๐ต๐ฒ๐ฟ ๐๐ฟ๐๐๐ต.
Rumi wrote that ๐ต๐ฉ๐ฆ ๐ธ๐ฐ๐ถ๐ฏ๐ฅ ๐ช๐ด ๐ต๐ฉ๐ฆ ๐ฑ๐ญ๐ข๐ค๐ฆ ๐ธ๐ฉ๐ฆ๐ณ๐ฆ ๐ต๐ฉ๐ฆ ๐๐ช๐จ๐ฉ๐ต ๐ฆ๐ฏ๐ต๐ฆ๐ณ๐ด ๐บ๐ฐ๐ถ. I have always been cautious with this one. Wounds can also be the place where the dark settles and makes its home, and that is honest too. But I think what Rumi is pointing at, however imperfectly, is that the damage we carry is not only loss. Sometimes it is the site of our clearest sight. T๐ต๐ฒ ๐๐ผ๐๐ป๐ฑ ๐ถ๐ ๐๐ต๐ฒ๐ฟ๐ฒ ๐๐ฒ ๐น๐ฒ๐ฎ๐ฟ๐ป๐, ๐ถ๐ป ๐๐ต๐ฒ ๐ผ๐ป๐น๐ ๐๐ฐ๐ต๐ผ๐ผ๐น ๐ฎ๐๐ฎ๐ถ๐น๐ฎ๐ฏ๐น๐ฒ, ๐๐ต๐ฎ๐ ๐ถ๐ ๐ฐ๐ผ๐๐๐ ๐๐ผ ๐ฏ๐ฒ ๐ฑ๐ถ๐บ๐ถ๐ป๐ถ๐๐ต๐ฒ๐ฑ ๐ฎ๐ป๐ฑ ๐๐ต๐ฎ๐ ๐ถ๐ ๐ฑ๐ฒ๐บ๐ฎ๐ป๐ฑ๐ ๐๐ผ ๐ฟ๐ฒ๐บ๐ฎ๐ถ๐ป ๐๐ต๐ผ๐น๐ฒ ๐ฎ๐ป๐๐๐ฎ๐.
I do not know what I really feel about Anne Widdcombeโs death. Maybe nothing. I know what I feel about what she did while alive. I know that being asked to be serene about my own oppression is itself a form of it. And I know that I will keep writing, keep thinking, keep feeling all of this without resolution, because that is what it means to be a person who has been through something and come out the other side still here, still refusing to disappear.
That refusal, in the end, is its own answer.